Thursday, May 2, 2013

Portrait of the Artist as a Coward


The only artists I have ever known who are personally delightful are bad artists..... He lives the poetry that he cannot write. The others write the poetry that they dare not realize
- Oscar Wilde , The Picture of Dorian Gray



In Satyajit Ray's Kapurush (Coward) - the protagonist Amitabha  is a screenwriter is traveling to collect material for his film he is going to write. Novelists writing about novelists is the oldest cliche in the book. Screenwriters writing about screenwriters is relatively rare and on occasion has resulted in phenomenal awesomeness. However, it is interesting to see how Ray shows a screenwriter.

Monday, April 29, 2013

Collection of Scattered Thoughts on தில்லானா மோகனாம்பாள்


Have blog, will archive.
What follows is from a clutch of posts written at various points in time about ThillAnA MohanAmbAL - in my opinion, one of the most thoroughly enjoyable films with a distinctly homegrown aesthetic. Due to the nature of the post, you can expect all kinds of unevenness and abruptness, which the content shall hopefully compel you to bear with. 

Plunge..

Friday, April 26, 2013

Junius Maltby



“If I had that much money, I’d retire. Do you think I would come here and bother teaching all of you?”

I am not sure we understood that. Teachers weren’t supposed to say such things – atleast not good ones, at any rate not to twelve year olds.

But she did, in a balmy post-lunch English class to all of us in that eighth standard. She was one of the best teachers who could stir your curiosity without pandering, who could exude erudition while still being approachable.She was probably in her forties and had a generally unhurried manner, which, were it a story, one would be encouraged to infer a worldview. 

While she introduced us to stories, poems, plays and generally yanked our language into shape – she was at her very best when she indulged in rarest of rare raconteur sessions.

Friday, April 19, 2013

30

30

சமயத்தில் மாமா என்றும்
கூப்பிடத் தொடங்கிவிட்ட
சிறுவர்கள் தொலைவில் கண்டால்

கூச்சலைப் பொறுத்துக் கொள்ளத்
தவறினேன். கிழவனானேன்

முப்பது வயதாயிற்று 
முதுமையும் வரலாயிற்று

வெயில்களை, மழையைக், காற்றைப்
பனிகளை பயந்து கொள்ளப்
பெரியவர் சொல்லித் தந்தார்

முப்பது வயதாயிற்று 
முதுமையும் வரலாயிற்று

கண்கள்மேல் கையைப் பாம்பின்
படமெனக் கவிழ்த்துக் கொண்டு
(தெருக்களில் தன்னை யாரோ
அழைத்ததாய்க் கருதித் தேடிப்)
பார்க்கிற வயதில் பாதி
கடவுளே வந்தாயிற்று

- ஞானக்கூத்தன்
கணையாழி, நவம்பர் 1971



29282726

Wednesday, April 17, 2013

கணங்கள்


கழுவாத ஆஸ்பத்திரி வார்டுகள் -விழி
ஒழுகாது காட்சி தந்த முகங்கள்
முற்றத்தில் நிழலெறிந்த
பெயர்தெரியா மரங்கள்
முடிவும் முதலும்
என்றான கணங்கள் 
தேவகோட்டை வா.மூர்த்தி
(கசடதபற அக்டோபர் '72)


வாழ்க்கை - என்று துவங்க நினைத்த சொற்றடரை நிறுத்திவிட்டேன். சொல்லநினைப்பதைவிட பெரியதாக வந்துவிழுந்துவிடும். எனக்கு சொல்வதெற்குப் பெரிதாக எதுவும் இல்லை என்பதால் என்னிடமிருந்து பெரிதாக ஏதாவது புறப்படும்போது மிதமாக மிரண்டு மடையிட்டுக்கொள்கிறேன். (விட்டால் சுழித்துக்கொண்டு ஓட காத்திருக்கும் ஓடையைப் போல டாம்பீகமாக 'மடை' என்ற உருவகம் பாருங்கள். 'தாழ்' என்று எழுதினால் லட்சியத்துக்கு இழுக்கு வந்துவிடுமோ? சுட்டுப்போட்டாலும் இந்த அவையடக்கம் கைகூடுவதில்லை).

Thursday, April 4, 2013

நெருக்கம்



அன்று இவு ப்ரூஸ் என்னோடுதான் இருந்தான். மாடுத்திருந்தான். ரியைதாசொல்வும் சொன்னான். "அன்று அத்னை நெருக்மாக இருந்போது கூட உன்னிமுள் ரியாதை ணர்ச்சி போவில்லை எனக்கு. வினோமாக இருக்கிது"

"அது ஸ்ட்ராட்ஃபோர்டின் கிமை. நாத்தில் ஒஃபீலியா வேஷம் போட்டால், நித்தில் செத்துப்போய் விமுடியாது"

"உனக்கு கேலி செய்தே இரண்டாது இயல்பாகி விட்து" என்று மல்லாந்து த்த்தைப் பார்த்துக் கொண்டே சொன்னான் அவன்.

தி.ஜானகிராமன் (மரப்பசு)


Monday, March 18, 2013

Black Pearl


"Komitet gosudarstvennoy bezopasnosti" said my cousin.

And with that I will pause to set up context. I am told interruption is the thing, these days.  I am told that, you dear reader, are not likely to be interested in what I tell you, unless I tell you why I am telling you what I am telling you.

I shan't  - been a while since I said that (which is smugger than last season’s 'always wanted to say that') – protest, saying the context is invariably such a flimsy apology. You know that. And a concise explanation of context does not do justice to my usually cosmic intent. Now, having anti-sold well enough, I will appear to yield.

One of the many reasons why I liked Manu Joseph's 'The Illict Happiness of Other People' is the depiction of the anguish of the weak and not-so-smart Thoma, who desires, among other things, appreciation. He nurses the ambition of being a writer but is terrified by the problem that 'even writers need to know facts' - which is precisely what he (one) desires to escape from, when he seeks to become a writer.

If appearance is, for all practical purposes, indistinguishable from being, then who wouldn't desire knowledgability over the effort of having to know? The clumsy disproportionate spots of knowledge from which we draw our ideas about ourselves and others and let them influence ‘life’ is presented very well in the novel.

And the two particular spots that are mentioned in the novel are these: by some stroke of chance, Thoma happens to know what KGB stands for and what Pele's name is. And throughout the novel he imagines and hopes for the world to arrange itself in a manner such that this special knowledge of his is culled out and he is celebrated, applauded, admired and loved for it. 
Needless to say, we have to take this and apply our own personal distortions to enjoy them. It just so happens mine were quite exact. This brings us back to my cousin.

He was the intelligent elder brother whom many of us cousins were in awe of, or uncomfortable with, depending on how old we were. I guess I was too young to feel threatened and don't feel like using the rest of this sentence, ambitiously trying now to analyze my feelings then, with an inflated sense of retrospective wisdom.
He had travelled to my southern city for a remembrance ceremony of the grandfather we shared and/or to take part in an annual quiz contest in my school. This quiz had achieved a smidgen of a cult status – or so I was asked to remember by seniors and teachers who spoke much of the days of yore in the later years, infecting us with nostalgia for times we hadn’t experienced personally.
“That’s what the KGB stands for” he said after I failed to answer his question asking me to expand it. Even back then, I was knowledgeable enough to not ask him what KGB was in the first place. So I was charged only with not knowing a Russian tongue-twister of an expansion - just about reasonable ignorance for a six year old. And yet, it was knowledge to be awed by, when possessed by a sixteen year old.
Thus, in some obscure part of all the knowledge out there, I had jumped a decade. And there began (dishonesty alert – when are things ever this dramatic) a school career of reasonably successfully quizzing.

This was not without the discomfort of feeling like a pretender – a purveyor of trivia with seldom the deep underlying knowledge of anything. But we are never truly persistently plagued by anything, are we? We take the feeling under our wing and survive with it, rather effortlessly. Today I am gainfully employed and I blog.
Now back to my school; I was –atleast in my batch and a couple on either side – kind of the notable quizzer. This was seldom openly acknowledged – to my satisfaction, that is. Except once.

The chemistry teacher, who also doubled as the quiz-man, used to assemble the entire high school in the auditorium once a week and conduct general quizzes. He was also a regular quizmaster in the city – and a relatively classy one if I may say so myself – who was often invited to conduct inter-school squizzes.
Once, I was scrawling through a quarterly exam, racing against time, as is my wont. This chemistry teacher arrived at the exam hall and walked up to his fellow teacher who was the invigilator.  She then called me out to the corner of the room – I could hardly afford to have my train of thought broken when waxing eloquent in Tamil on Tagore (once again, dishonesty alert, as if I’d remember).

I went to the huddle, not knowing what the issue was..
“Is Pele’s name Edwin Arantes do Nascimento or Edmond Arantes..?” he asked in a whisper.  He looked like he was in a tearing hurry to fact-check before he was off to conduct a quiz elsewhere.
How charming it is for an adult’s vocation to legitimately foster an interest in trivia for its own sake – I think today.
As my classmates scratched measly pen on paper I answered him instinctively, without yet fully grasping the sense of fraternity : “Edmond”
“Yeah, that is what I thought. Thank You. Sorry to disturb you” he said as the invigilator smiled as if she was also glad to be of assistance.
Then as he left the hall and I returned to my desk moving on from the brief pride of being the go-to person for the town’s quizmaster, to the pride of the Tamil prose in my unfinished Tamil paragraph praising Tagore- whom I had not read.
Then it struck me. And I raised my hand
“Ma’am..”
“Shh!” she (must have) said and came close to me and whispered, “what?”
“It’s Edson….not Edmond”
“Oh..ok” she said, as she evinced an earnest interest in this sort of thing, though I knew even back then, that she would never become like her friend, the quizmaster.
“Run run..” she said
I tore out of the exam hall, ruffling a few fellow Tagorebluffers’ attention. And out in the sun I saw he walked far ahead already. I sprinted towards him.
“Sir..” I cried out as he stopped and turned and I caught up.
“It is Edson…. Edson Arantes..”
“Ah yes…” he said with an expression of relief and satisfaction.
We were the only two out in the open in the large expansive school, which is eerily people-less during class-hours.

“Thank you very much…now get back to your exam”

I did.
And if I remember right, I did top the class in that paper.